The Man Behind the Motion Picture

Howard “Buddy” Jacobson

Horseman. Entrepreneur. Playboy. Convicted murderer. Fugitive. A complicated Brooklyn original whose extraordinary rise and fall moved through racetracks, penthouses, modeling agencies, courtrooms and prison walls.

Some men build empires. Some men destroy them. Buddy Jacobson did both.

A Brooklyn-Born American Character

Howard “Buddy” Jacobson was born on December 10, 1930, in Brooklyn, New York, to Joseph Jacobson and Florence Jacobs Jacobson. He grew up in a Jewish family whose identity was deeply connected to New York and to the highly competitive world of Thoroughbred horse racing. Long before Buddy entered Manhattan nightlife or became the subject of sensational newspaper headlines, the racetrack was his natural environment.

Buddy came from one of the most influential racing families of the twentieth century. His maternal uncle, Hirsch Jacobs, rose from modest Brooklyn beginnings to become a legendary trainer and breeder. Hirsch won thousands of races, developed champion horses and was inducted into the National Museum of Racing and Hall of Fame. Other members of the Jacobs family also worked as trainers, owners and breeders, creating a formidable racing network that extended through New York, Maryland, Florida, Kentucky and California.

Within this family, racing was more than recreation. It was a business, a profession, a social world and a way of life. Buddy learned to evaluate horses, understand trainers, negotiate with owners and recognize opportunities that less experienced horsemen might overlook. He absorbed the language and customs of the backstretch while developing the confidence, instincts and personal style that would later make him both successful and controversial.

The Horseman

Buddy became known around the major East Coast tracks, including Aqueduct, Belmont Park and Saratoga. He possessed the practiced eye of a claiming trainer: the ability to study a horse’s condition, pedigree, temperament and recent performance and then imagine what that animal might accomplish under different management.

The claiming game demanded nerve. A trainer had to make expensive decisions before knowing whether a horse was healthy, cooperative or capable of improving. Buddy was drawn to that mixture of calculation, intuition and risk. He did not approach racing as a quiet gentleman’s pastime. For him, it was a competitive arena in which knowledge, money, timing, reputation and human psychology operated together.

At the height of his racing career, Buddy was described as one of New York’s leading trainers and a highly visible figure at the track. He cultivated owners, gamblers, jockeys, trainers, businessmen and personalities whose interests frequently overlapped. His circle reportedly included prominent racing families as well as younger horsemen seeking to learn the profession.

Among the trainers associated with Buddy’s racing operation was Bobby Frankel, another Brooklyn horseman who later became one of the most celebrated trainers in American racing history. Frankel’s rise reflected the extraordinary depth of talent operating in the New York racing world during Buddy’s era.

Racing Royalty and Powerful Connections

The extended Jacobs family occupied a remarkable position in American racing. Hirsch Jacobs trained champions and established a national reputation for transforming inexpensive or overlooked horses into important winners. Hirsch’s daughter Patrice Jacobs married financier and horse owner Louis Wolfson. Their Harbor View Farm bred and raced Affirmed, winner of the 1978 Triple Crown.

This placed Buddy near a world where old Brooklyn horse knowledge intersected with major wealth, real estate, finance and national sporting prestige. Racetracks brought together people who might otherwise never have met: stable workers and millionaires, bookmakers and bankers, politicians and jockeys, legitimate businessmen and men whose activities occupied less respectable territory.

Buddy understood how to move between these groups. He could speak the practical language of horsemen while negotiating with wealthy owners and socializing with people far removed from the backstretch. That ability to cross social boundaries became one of his greatest strengths—and one of the qualities that eventually pulled him into increasingly dangerous surroundings.

The Reinvention of Buddy Jacobson

Buddy was never content to remain only a horse trainer. As his fortunes grew, he expanded into Manhattan real estate, nightlife, hospitality and the modeling business. The transition from racetrack operator to fashionable Manhattan personality may appear unusual, but the two worlds shared important qualities: beauty, performance, competition, money, personalities and the constant search for the next star.

His life increasingly unfolded inside apartments, restaurants, clubs and offices filled with models, photographers, entertainers, businessmen and nightlife figures. Buddy’s name became associated with My Fair Lady, a New York modeling agency connected to Melanie Cain. The agency provided a glamorous public face for a man whose background had been formed in barns, betting rings and racing offices.

To outsiders, Buddy appeared to have reinvented himself. He was no longer simply the Brooklyn horseman with a stopwatch. He had become a Manhattan operator—part entrepreneur, part impresario and part celebrity—living inside a world of attractive women, fashionable parties, expensive properties and nonstop personal drama.

A Distinctive Presence

Buddy did not resemble a polished corporate executive or a conventional society gentleman. He was short, wiry and unmistakably streetwise, with dark, wavy hair, a heavy mustache and the physical energy of someone always calculating his next move. His appearance could be charming, comic, intense or intimidating depending upon the situation.

He could be generous and entertaining, but he was also volatile. Friends and associates remembered a man who inspired loyalty, fascination, fear and resentment—sometimes in the same person. He enjoyed the theater of negotiation and knew how to dominate a room without being its tallest occupant.

Buddy’s personality was built upon contradictions. He could understand a nervous horse yet lose patience with people. He could discover value where others saw failure but also gamble recklessly with his own security. He wanted acceptance among the powerful while retaining the instincts of the Brooklyn streets that formed him.

Marriage, Romance and the Women Around Buddy

In June 1969, Buddy married Linda Lydic, who became Linda Lydic Jacobson. Their marriage belonged to an important period in Buddy’s rise, when his racing success, ambitions and growing social connections were rapidly expanding his world.

Buddy later became closely associated with model Melanie Cain. Their relationship placed him at the center of a complicated emotional and professional triangle involving the modeling agency, Manhattan society and a younger restaurateur named Jack Tupper.

The women surrounding Buddy were not merely decorative figures in his story. They were models, business associates, romantic partners, witnesses, intermediaries and survivors navigating a world controlled largely by powerful and unpredictable men. Their perspectives reveal different versions of Buddy: protector, benefactor, employer, lover, manipulator and source of danger.

This combination of romance, jealousy, ambition and shifting loyalty would become inseparable from the criminal case that destroyed Buddy’s glamorous public life.

The Murder of Jack Tupper

On August 6, 1978, restaurateur John “Jack” Tupper was killed following a period of escalating conflict involving Buddy and Melanie Cain. Tupper’s death was exceptionally violent, and investigators focused their attention on Buddy almost immediately.

The resulting prosecution became one of New York’s most sensational criminal proceedings of its period. The case contained nearly every element capable of dominating the tabloids: a prominent horse trainer, a beautiful model, an alleged romantic triangle, Manhattan apartments, nightlife personalities, disputed testimony, missing figures and allegations of a brutal killing.

Buddy maintained his innocence, but prosecutors argued that the physical evidence and witness testimony connected him to the murder. The trial extended for approximately eleven weeks and attracted intense public attention. In April 1980, a jury convicted Buddy of murder.

His conviction should have marked the conclusion of the public spectacle. Instead, Buddy produced the most audacious chapter of his life.

The Walkout

On May 31, 1980, while awaiting sentencing at the Brooklyn House of Detention, Buddy escaped through a scheme remarkable for its simplicity and nerve. According to accounts of the escape, an accomplice entered the facility posing as an attorney and brought Buddy a suit. Dressed as a lawyer, Buddy walked out of the detention center and disappeared.

The escape embarrassed authorities and instantly transformed the convicted horseman into a nationally hunted fugitive. For thirty-nine days, law-enforcement agencies searched for a man who had spent his life studying movement, timing, deception and risk.

Buddy traveled across the country while investigators pursued leads involving acquaintances, vehicles, telephone calls and possible hiding places. His ability to pass through different social environments—the racetrack, the city, wealthy residences and the criminal underworld—made him an unusually elusive target.

On July 9, 1980, authorities captured Buddy in California. The fugitive chapter was over, but the mythology surrounding him had only grown.

Prison and the Long Aftermath

After his capture, Buddy faced punishment not only for the murder conviction but also for his escape. The flamboyant trainer who once commanded attention at racetracks, modeling offices and Manhattan gatherings was now confined within the prison system.

Yet imprisonment did not erase the arguments surrounding his case. Questions about witnesses, accomplices, missing participants, physical evidence and the broader criminal environment continued to follow the story. Admirers and defenders viewed Buddy as a man condemned amid confusion and unreliable testimony. Others regarded the conviction as the inevitable end of a violent and increasingly reckless life.

The film does not require audiences to accept a simplified version of Buddy as either hero or monster. Its power comes from examining the contradictions, evidence, relationships and choices that created his fate.

Buddy as a Father and Family Figure

Behind the public identity was a family whose members had to live with Buddy’s achievements, notoriety and imprisonment. His personal legacy did not end at the courthouse or prison gate. It passed into another generation through children, grandchildren and relatives who inherited fragments of a story often told by outsiders.

His son David Jacobson continued the family connection to Thoroughbred racing and developed a successful training career of his own. The continuation of the Jacobson name at the racetrack demonstrates how deeply the sport remained embedded in the family, even after Buddy’s conviction overwhelmed his earlier accomplishments.

For Buddy’s descendants, separating the man from the legend is difficult. The public remembers the murder trial and escape. Family history also contains the trainer, father, husband, uncle, businessman and complex personality who existed before the headlines.

More Than a True-Crime Story

Buddy Jacobson’s life offers a passage through several disappearing versions of New York. His story begins in the close-knit Jewish neighborhoods of Brooklyn, enters the golden age of American horse racing, passes through the modeling business and Manhattan nightlife, and concludes inside the criminal-justice system.

Each world had its own hierarchy and code. The racetrack rewarded knowledge and nerve. Nightlife rewarded visibility and charm. Real estate rewarded leverage. Organized crime rewarded loyalty and silence. The modeling world traded in aspiration and appearance. The courtroom demanded that a chaotic human story be reduced to evidence, testimony and verdict.

Buddy moved through all of them, sometimes brilliantly and sometimes disastrously. His life cannot be understood through the murder alone, just as his racing success cannot erase the violence associated with his downfall.

Why Buddy Belongs on the Screen

Great screen characters are rarely simple. Buddy could be charismatic, funny, perceptive, possessive, ambitious, loyal, jealous, calculating and self-destructive. His talents helped him rise from Brooklyn’s racing culture into a glamorous Manhattan existence. Those same instincts—risk-taking, pride, appetite and refusal to surrender—contributed to his collapse.

His story contains the sweep of an American crime epic: family dynasties, champion horses, mob-connected environments, multimillion-dollar properties, models, nightclub celebrities, romantic betrayal, murder, courtroom spectacle and a daring cross-country escape.

At its center is a man always trying to outrun limitation—his beginnings, his rivals, the authorities, the verdict and perhaps himself.

Buddy Jacobson at a Glance

Full NameHoward “Buddy” Jacobson
BornDecember 10, 1930
BirthplaceBrooklyn, New York
ParentsJoseph Jacobson and Florence Jacobs Jacobson
Primary ProfessionThoroughbred horse trainer and horseman
Other InterestsReal estate, modeling, nightlife and hospitality
Notable RelativeHall of Fame trainer Hirsch Jacobs
Modeling ConnectionMy Fair Lady modeling agency
ConvictedApril 1980
EscapeMay 31, 1980
Time as a FugitiveThirty-nine days
CapturedJuly 9, 1980, in California
DiedMay 16, 1989, in Buffalo, New York

Buddy from Brooklyn

A major motion picture inspired by the extraordinary life, rise, conviction, escape and enduring mystery of Howard “Buddy” Jacobson.

TRUE CRIME  •  HORSE RACING  •  MAFIA  •  NIGHTLIFE  •  ROMANCE

This character profile presents historical information and the dramatic context of the Buddy from Brooklyn motion-picture project. Certain events, conversations, relationships and timelines may be interpreted, condensed or dramatized for the screen.

Buddy Jacobson 11.9.78

Source: Associated Press

Buddy Jacobson Movie